Source: Anita Indriyani
Source: Anita Indriyani
(click on a painting to collect on hic et nunc)
On August 10th, 2021 at 8:18 PM, I had finished the following painting:
Source: Younicorn Studio
Source: Edina Realty
I had painted a fair amount using nopaint.art since joining the project in 2019, but I hadn't been surprised by a result like this before.
I had made a vibrant seed, but I could keep going. I started to grow many more figures.
Source: Younicorn Studio
Source: Edina Realty
I used the built-in camera to incorporate my mouth, warping the resulting expression to produce new results.
Source: Younicorn Studio
Source: JANICE.HQ
Source: Filipe Augusto
5 tez
Source: Younicorn Studio
Source: Laura Left
10 tez
The colors quickly became too consistent. Frustrated, I desaturated everything, discovering new possibilities.
Source: Younicorn Studio
Source: Edina Realty
Source: ruttolomeo
Adding some color back again:
Source: Younicorn Studio
Source: Rafs Design
6.5 tez
The nose.
Source: Younicorn Studio
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Source: JANICE.HQ
Source: Filipe Augusto
10 tez
No Paint had always stressed one of the more important parts of painting for me: resisting control through the slow accumulation of marks distributed over an extended period of time. This keeps me excited and often in the presence of beauty. Using software with distributed authorship, lower resolutions, and tools that behave without my interference increase the likelihood that a result will be unexpected. And so, I keep going!
Source: Visual Coffeebreak
Source: Younicorn Studio
Source: Edina Realty
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Source: Anita Indriyani
Source: Anita Indriyani
Source: James Thacher
Source: undefined
Source: Potluck
Source: themishiewishie
text
Source: ola skórka
Source: ola skórka
Source: ola skórka
Source: Cascade Method
Source: W Hotels Worldwide
Source: Dr. Donna Thomas Rodgers
Source: WDR
Source: irlrubyph
Source: QiZZiO